In other artistic interpretations, it was also common to use a crown of laurels and a trumpet too. The open book is specifically an object used to represent Clio, Muse of History. This was typical of the artist, and she rarely made use of complex backgrounds, and when she did these were often completed by other artists who specialised in alternative genres. The background is left darkened, with no discernable detail appearing from behind the model. She also wears some earrings and a small brooch to hold her robe in place. Layers of black material are draped around her upper half, placed over the top of a white undergarment and red sleeves. Some open books reside beside her, clearly a symbolic reference to the identity of this female figure. ![]() The painting is deeper in dark light, in the main, but a small amount appears from the top left of the painting, lighting up the model's facial features, down to her chest. Her right arm is perched on the arm of a chair or table, whilst her left arm is bent, resting on her hip. DescriptionĬlio looks off into the distance, to our right hand side. Some have suggested that Clio, Muse of History shows elements of Venetian art, for example. The artist would have been in her late thirties at the time of this painting, and had already taken in a number of influences from the different Italian cities in which she had lived. In the example of Clio, Muse of History, we find elements of this theme in objects added to the scene. ![]() Portraiture was a key genre within her oeuvre, and in some cases she would combine her own image with elements of the past. Artemisia was a well-educated young woman who called upon her knowledge of literature in order to find inspiration for much of her work.
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